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Historical Performance Practice in Cadenzas for Mozart’s Concerto for Bassoon, K. 191 (186e)
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3 is the Charm: Mozart’s Divertimento in Eb for String Trio, K. 563 –The ‘K’ Stands for Kingly
The Use of the Damper Pedal in the Classical Period: Steibelt and Dussek and Their Influence on Austrian Composers
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