- Isabelle Emerson – “Twenty Years After”
- Dorothea Link – “Mozart’s ‘Batti, batti, o bel Masetto’ Performed in London in 1789”
- Kathryn L. Libin – “The Musical Notenbuch of Countess Wilherlmine von Uhlfeld”
- Christopher Lynch – Book review: Simon Keefe, ed., Mozart Studies 2 (2015)
- Edmund Goehring – Performance review: “Mozart’s Requiem as Modernist Ritual [Against the Grain Theatre, Toronto, 2016]”