- “New Details Regarding Chronology and Provenance of a Previously Long-Lost Mozart Autograph, the Magnificat in C Major, K. 321a,” by Christopher J. Salmon
- Mozart’s Requiem in Pamplona (1844): Study and Music Edition by Miguel Ángel Marín and Aurelio Sagaseta, reviewed by Karina Zybina
- Mozart’s La clemenza di Tito: A Reappraisal, ed. Magnus Tessing Schneider and Ruth Tatlow, reviewed by Anders Wiklund