Fall 2020 (Vol. 24, No. 2)
- “Mozart’s Receipt for Lucio Silla,” by Christopher J. Salmon
- Remembering Daniel Heartz
- “Love at a Distance in a Time of Mozart,” by James Currie
- Recording Review: Mozart in London by Ian Page and the Mozartists, reviewed by Alyson McLamore
- Book Review: Bach and Mozart: Essays on the Enigma of Genius by Robert L. Marshall, reviewed by Daniel R. Melamed
- Book Review: In the Footsteps of Mozart’s Clarinetist: Anton Stadler and His Basset Clarinet by Pamela L. Poulin, reviewed by Janet K. Page
Spring 2020 (Vol. 24, No. 1)
- Conference Report: “Bach and Mozart: Connections, Patterns, Pathways”
- Conference Report: “International Mozart Communities” Meeting
- Edmund Goehring Wins Emerson Award
- Daniel Heartz (1928-2019)
- “An Unknown French Copy of the Concerto for Flute and Harp,” by François-Pierre Goy
- “Historical Residue or Modern Practice? In Defense of the Text for The Magic Flute,” by Catherine Coppola
- “The Digital Mozart Edition and the Digital Interactive Mozart Edition,” feature review by Dexter Edge
Fall 2019 (Vol. 23, No. 2)
- “A Previously Overlooked Manuscript of La clemenza di Tito in Strakonice and the Opera’s Early Reception in Bohemia,” by Martin Nedbal
- “Costume Innovations in the Parody Les amours de Bastien et Bastienne,” by Enrique Oliver
- Book review: Mozart in Prague, ed. by Kathryn Libin, reviewed by Mary Sue Morrow
- Book review: Mozart in Context, ed. by Simon Keefe, reviewed by Beverly Wilcox
Spring 2019 (Vol. 23, No. 1)
- “Mozart in the Middle: London’s ‘Musical Children,’” by Alyson McLamore
- “Mozart, Modernization, and the Fading of the Cultural Revolution in China,” by Annie Yen-Ling Liu
- Book review: Mozart in Vienna: The Final Decade, by Simon P Keefe, reviewed by John A Rice
- Book review: Cherubino’s Leap: In Search of the Enlightenment Moment, by Richard Kramer, reviewed by Jessica Waldoff
Fall 2018 (Vol. 22, No. 2)
- Paul Corneilson – “Wolfgang Gottlieb Mozart”
- Laurel E. Zeiss – “Reflections on Mozart Communities Event and the
Opening of Mozartwoche, January 2018”
- Adem Merter Birson – “Mozart’s Turkish Tattoo: Hybridity in Die
Entführung aus dem Serail”
- Reviews:
- Mozart 225: The New Complete Edition
- Private Music, Fragments, Arrangements, and Doubtful Works,
reviewed by Murl Sickbert
- Italian Operas, reviewed by John Platoff
- German Operas, reviewed by Lisa de Alwis
- Chamber Music, reviewed by Edward Klorman
Spring 2018 (Vol. XXII, No. 1)
- Conference Report: “Mozart and Modernity”
- Edward Klorman Wins the Emerson Award
- MSA Donates Portrait to Estates Theater
- “Ave verum corpus in Labrador,” by Sarah Eyerly
- “Mozart and His Fellow Prodigies in Giovenale Sacchi’s Della
divisione del tempo (1770),” by Adeline Mueller
- Reviews:
- Mozart 225: The New Complete Edition
- Introduction to the Set, by Emily Wuchner
- W. A. Mozart, reviewed by Laurel E. Zeiss
- Orchestral Music, reviewed by Neal Zaslaw
- Sacred Works, reviewed by Matthew Leone
Fall 2017 (Vol. XXI, No. 2)
- Martin Nedbal – “Domenico Guardasoni’s Prague Conducting Score for Così fan tutte”
- John A. Rice – “Twin Portraits: Morichelli and Martín y Soler in Vienna, 1787”
- Thomas Bauman – Book review: Morality and Viennese Opera in the Age of Mozart and Beethoven
- Emily Wucher – Book review: The Mozart Project
- Floyd Grave – Book review: Mozart’s Music of Friends
Spring 2017 (Vol. XXI, No. 1)
- William O’Hara – “Momigny’s Mozart: Language, Metaphor, and Form in an Early Analysis of the String Quartet in D Minor, K. 421”
- Sarah E. Huebsch – “Mozart, Linley, and Obbligato Oboe”
- L. Poundie Burstein – Performance review: The Other Mozart
- William Gibbons – Recording review – Les Mystères d’Isis
- Mimi Stillman – Score review: Concerto for Flute, Harp, and Orchestra in C Major, K. 299
Fall 2016 (Vol. XX, No. 2)
- Isabelle Emerson – “Twenty Years After”
- Dorothea Link – “Mozart’s ‘Batti, batti, o bel Masetto’ Performed in London in 1789”
- Kathryn L. Libin – “The Musical Notenbuch of Countess Wilherlmine von Uhlfeld”
- Christopher Lynch – Book review: Simon Keefe, ed., Mozart Studies 2 (2015)
- Edmund Goehring – Performance review: “Mozart’s Requiem as Modernist Ritual [Against the Grain Theatre, Toronto, 2016]”
Spring 2016 (Vol. XX, No.1)
- Paul Corneilson – “Mozart’s Boswell?”
- Ian Woodfield – “Christian Gottlob Neefe and the Early Reception of Le nozze di Figaro and Don Giovanni”
- Edition reviews – Facsimile Editions of Mozart’s Autograph Scores (in 7 vols., published by The Packard Humanities Institute, 2005-9)
- Karl Böhmer – Idomeneo
- Daniel R. Melamed – Die Entführung aus dem Serail
- Ulrich Leisinger – Le nozze di Figaro
- Edmund Goehring – Don Giovanni
- Ian Woodfield – Così fan tutte
- Martin Nedbal – Die Zauberflöte
- Laurel E. Zeiss – La clemenza di Tito
- Leszek Chudziński – poem: “Mozart’s Starling”