Archives: Newsletters
- Bruce Alan Brown – “An Idomeneo Odyssey”
- Ulrich Leisinger – “News from an Old Music Book: Nannerl’s Music Book Reveals Some of Its Secrets”
- Catherine Sprague and Kris Steyaert – “Riddles and Counterpoint: Mozart’s Pupil Franz Jacob Freystädtler”
- Kathryn Libin – “Betramka Returns to the Czech Mozart Society”
- Mary Sue Morrow – Book review: Simon P. Keefe, Mozart’s Viennese Instrumental Music: A Study of Stylistic Re-Invention
- Michael Lorenz – Book review: Tadeusz Krzeszowiak, Freihaustheater in Wien 1787-1801. Wirkungsstätte von W. A. Mozart und E. Schikaneder. Sammlung der Dokumente
- Kay Lipton – Book review: John Rice, Mozart on the Stage
August 2009 (Vol. XIII, No.2)
- Ulrich Konrad – “A Rediscovered Autograph of Wolfgang Amadè Mozart: The ‘Nantes Sketch’”
- Rita Steblin – “A Problem Solved: The Identity of Georg Friedrich Richter, Virtuoso ‘Claviermeister’ from Holland, Mozart’s Friend and Partner in the Trattnerhof Subscription Concerts of 1784”
- Paul Corneilson – Book review: Daniel Heartz, Mozart, Haydn, and Early Beethoven, 1781-1802
- Phil Grabsky – Letter to the Editor [re. DVD review in 13.1]
- Roye Wates – “Roye Wates replies” [re. Letter to the Editor]
- Lisa de Alwis – “Anti-da Ponte – Conclusion”
- Roye Wates – DVD review: In Search of Mozart
- Robert L. Marshall – Book review: Eva and Paul Badura-Skoda, Interpreting Mozart: The Performance of His Piano Pieces and Other Compositions
- Simon P. Keefe – Guest Column: “Mozart Artifacts”
- Lisa de Alwis – “Anti-Da Ponte – Part II”
- Laurel E. Zeiss – Performance review: Martín y Soler, Una cosa rara
- Eftychia Papanikolaou – Book review: Jessica Waldoff, Recognition in Mozart’s Operas
- Paul Corneilson – “Early Mozart Biographies Project”
- John Rice – Recording review: Mozart: Rare Choral Works (Gloriae Dei Cantores)
- Lisa de Alwis – “Anti-da Ponte” [Part 1 of 3]
- Gregory Butler – Book review: Karol Berger, Bach’s Cycle, Mozart’s Arrow: An Essay on the Origins of Musical Modernity
- Edmund Goehring – “An Early Nineteenth-Century Review of Così fan tutte”
- Ulrich Leisinger – “NMA Online – The Neue Mozart-Ausgabe on the Web”
- Jason B. Grant – Book review: Jacques Henry, Mozart the Freemason: The Masonic Influence on His Musical Genius
- Roye Wates – “An Interview with Craig Smith”
- Dexter Edge – “Mozart’s Operas on DVD: The Peter Sellars Trilogy”
- Mary Oleskiewicz – “A Pope, A Prophet, and the Politics of Mozart’s Idomeneo in Berlin”
- Janet K. Page – Book review: David Hurwitz, Getting the Most Out of Mozart: The Instrumental Works
- Kathryn Libin – “Mozartiana in the Roudnice Lobkowicz Library”
- Sven Hansell – “Regietheater: A Major Problem in the Sung and Spoken Theater of Vienna Today”
- John Rice – Book review: Daniel Leeson, The Mozart Forgeries
- Martin Wacksman – “Grover’s Grand German Opera, The Magic Flute, and Abraham Lincoln”
- Paul Corneilson – “A Note on Davidde Penitente” [addendum to article in 10.1]
- Paul Corneilson – “Papa Mozart”
- Daniel Heartz – “Mozart and Anton Klein”
- Balázs Mikusi – “Mozart Copies! But Did He Pay Homage?” (winner of MSA Essay Contest)
- Sven Hansell – “Letter from Vienna”